Las óleos de todo John Wootton
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ID |
Image |
Painting (From A to Z) |
Details |
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24201 |
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A View of Henley-on-Thames (mk25) |
c 1742-3 |
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24202 |
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A View of Park Place (mk25) |
c 1742-3 |
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94392 |
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George II at Dettingen |
1743
cjr |
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24313 |
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George III's Procession to the Houses of Parliament (mk25) |
attributed to
1762 |
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27308 |
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Mr John Ward 6th Baron Ward |
Mp for Newcastle-Under-Lyme,Standing with his Favorite Hunter and a Groom;With Hounds and Huntsmen Unkennell-ing in the Distance
Oil on canvas 40 x 50 in(101.6 x 127 cm) (mk59) |
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96515 |
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Portrait of Sir Robert Walpole |
before 1745(1745)
Medium oil on canvas
cyf |
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86177 |
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The Duke of Marlborough at the Battle of Oudenaarde |
oil on canvas
90 x 113 cm
cyf |
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52352 |
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The Shooting Party |
1740 Oil on canvas, 88,9 x 74 cm |
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24237 |
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The Siege of Lille (mk25) |
1742 |
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| John Wootton
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| 1682 - 1764
English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.
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